Berlin: Days 3+4

Making the Boys (Crayton Robey, US: Panorama Dokumente) C+

Valuable anecdote trussed up in wearing, gossipy montage

Submarino (Thomas Vinterberg, Denmark: official competition) B–

21 Grams-ishly grim, but does have guts, and it's memorably acted

La Notte (Michelangelo Antonioni, Italy, 1961: Retrospektive) A–

A marriage in freefall: pristinely disconsolate, and Moreau's terrific

Greenberg (Noah Baumbach, US: official competition) C

Morose People? Tries hard to say things, but too often drab and taxing

Exit Through the Gift Shop (Bansky, UK: out of competition) B+

Riotously funny, shape-shifting doc, full of ironies about art and profit

World on a Wire (RW Fassbinder, Germany, 1973: Berlinale Special) B

The story's confounding, but it's so delirious design-wise you don't care